looking back on looking back
From September, 2015 (and I'm still working on becoming)
Feel how the emotions change now, heart rate and face tension, after reading the entry I wrote the day after Dad's spinal surgery. Time is all now.
I feel the tingle.
When I'm in lows, I focus my writing less on process and why I do what I do.
I think less about the big picture.
More about what's happening on my insides.
Less about sensory detail.
More about raw emotion.
Usually the right here right now vague feelings and cyclic thoughts.
And I record. And I process. And I sit. Observe.
And I think -- at the core, this is why I do this.
To take care of me.
To get the notes out about what it's like right here right now.
To get more exact, articulate and less desperate.
To trust my mind. To let go and share.
There are big picture thoughts that go with it, that have to do with audience and what I'm trying to communicate why with whom for what purpose. But at the base, this is the foundation. I write to connect with me.
It doesn't always make me feel better, but it gets the howling more manageable.
When I do this every day, it makes me stronger, more powerful as a human.
Yes, I don't make much money as a writer.
I have to think a lot about how can I squeak by.
I spend a lot of time doing this practice, completely financially unpaid work.
Yes, my logical brain tells me it's important: to practice as an artist, and then my panic practical brain says but so much? It's important to get financially stable and how can you with this? And what are you contributing to the world?
But in a larger term scope,
in taking in the truth about my history and my trajectory,
I see that this is what it takes for me to get through the day.
The alternative, I see, is me in hospital, me medicated, me living dependent, me out late every night making bad decisions. That me is contributing a whole lot less and spending more. Or...Here.
I need to write and I feel it these days
when there is burning in my chest
and I notice the tension build and fall in shoulders.
When I see the weight. And hold it.
And it draws my mouth downward.
When the throat and the gut and the head dive.
When I open up my brain to exposure and I get caught wrestling inside.
When I read about the day Dad's results came back,
detailing all the organs where his melanoma spread:
brain, spine, liver, lungs, kidneys.
When I notice how panic and overworking shielded me from feeling for years. Everything task oriented. And now I'm unleashing.
When I got back from the M.E. experience of homeless abuse and un-me-ing,
I didn't want to show any awful side of myself.
I wrote about it yes, but didn't speak about it.
The way I wrote about it in pieces I released veiled the truth enough
that yes I felt exposed but the art felt separate from me.
There was my work and my private life. Fractured. Compartmentalized.
This left me cold and armored, still denying myself.
Now this, this is hard too, this pure feeling, but it is real. Unmasked. Familiar.
And this is my reason to write as much as any lofty ones.
I can only get to the point where I am opening up connections,
speaking to the silent if I allow myself to speak and listen, too.
I exist. I matter.
And so do you.
Process notes on a work in progress. This page serves to invite you into the way I work, with intermittent posts to show you the hows and whys on the whats I make, as well as prompts and ideas I bring to certain workshops. There will also be some raw, rough content found in notebooks written years ago, previously posted on: