The peaks jagged, barely visible behind mid-morning fog and clouds.
Ghost crests' pine green through grey drizzle. We taste the air, misting droplets sizzling around. Hard to know what direction they fall from, or jumping from below? The conifers house ravens who shout to each other across the street and amongst their branches. We striding holding pack straps in our hands, keeping as much weight off our backs as we can on our trek to see Mendenhall's river of ice before she disappears forever. Feet sore, dressed in layers, glasses, hats, fingerless gloves for me in hooded sweatshirt and windbreaker, a hat and sweatshirt for Thomas, yellow rainjacket stuffed in his pack, sweat on his brow. Or is it rain? Side by side down the road. We don't talk much to keep our breath, except noticing aloud what we see. My legs ache from so much walking. I know Thomas is in pain beside me. Highway pines and deciduous leaves reach up. Bald eagle soars overhead, who Thomas points out as the raptor shines in front of emerald giants. Our skin chills and perspires in humid damp. Mountains, mountains, everywhere, but also wet throughout the greenhouse of Juneau's west side. Our focus on the triangular summits ahead, between which we glimpse a wedge of white and blue -- a segment of glacier miles ahead. My hood up over hat, glasses rain speckled. We tread forward on the roadside.
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Been in the midst of a big rabbit hole project this year I never anticipated with this cycle of centuries. What is a century? Most basically, a list. This collection of lists is becoming a novella of a book, a shadow box, a podcast. Learn more about the process through the MFA at CIIS Artifact Podcast where this month they devoted an episode to my process completing this series and trying to represent that visually with a shadow box. This weekend on Sunday (May 1) at MING Studios in Boise, I'll be reading from this series for the first time. If you're in Boise and want to hear, I will begin at 7pm through MING Studio's 7o'clock series. Sometimes they lock the doors right at 7, so get there on time :) It's $7 if you're not a member (and if you're an artist, you can be a member for $13 a year!). A lot of the stuff will be raw and vulnerable, freshly typed, so friendly faces please, for this work-in-progress reading. Thank you! Maybe I'll see you there. If not, you can check out some of my process below and the podcast to learn more. The rushing Payette, gentle roar by the shore.
We sat on wide boulder, low sandstone flat at our feet displaying our black Rubbermaid plates, containers, bins of food, brought out one at a time. Mountain pines stretched all around. The day in high 60s but a breeze asked me to pull up my sweatshirt hood. Pale sky, trace clouds. Greens, strawberries, crackers with chevre, a yellow cheese that bit back and tinned oysters. Blackberry bubbling drinks rested on river rocks unopened. We watched the ants watching us, pools of sugar sand circling round stones, the sap and water scents infusing life in our bones. Kayakers waved paddles by. On mountaintop, grass dried underfoot. I reached the height of one landing and knew the climb continued far above. I craved a hike deep into wilderness, to walk on and on to forever. Our red Prius pulled into a temporary spot. Tiny saplings emerged on the ridges, bright needly tips shot up just in time to greet us. On one side, thick brambles of conifers, aspens, huckleberry shoots, reeds. A rocky soft hill descended steep down the other. And up above this plateau with fresh open land for wandering, ATV treads dug in from beyond leading up to fire pits, fresh burnt logs, still smoldering. Across the road, another peak raised giant. Cars motored past in quick succession, short bursts of quiet between. Anytime we leave the house it doesn't seem like anyone else is isolating. Traffic doesn't die. Lycaenidae and Pieridae flutter by too, black with orange wing tips, white with blue specks, damselflies with translucent pixie wings. I step up on a log, a stump, aged, cracked, to see what's below the surface wood, leveraging out the spaces under crevices, wanting to hole up inside. Of course the leaves. The wind moving leaves. The burble in my stomach. Breeze. Breath. Smiles. Footsteps. A soft creak. A chair adjusts. Sink into this spring evening, waving like a syncopated drum. Songs of silence and motorways. A little finch pours in her child's lullaby. Feel whispers of hope in high waters. A river gushes, rushing fast bubbles that wash willow tree trunks. We're all spiraling together. The flagpole squeaks. Motorcycle revs. And yes the air currents through lavender bushes, through maple, oak, aspen. Everywhere singing birds in their own notes and keys. Some steady, slow, some quick, high pitched. Everything green. Everything vibrating. Everything the river. Years ago, the river at its high point closed the greenbelt, so I took a different route home from teaching on my birthday, on my bicycle, and Dr. Alluri ran into me in his night blue sedan. I wear a helmet now when I ride. I look all ways with more caution, more of my dad's fighter pilot sense behind eyes. A wavering melody creeps in: violins, ragtime accordions, silent film pianos unseen, as though some invisible composer designed a cinematic soundscape for this moment. Across the way, thundering booms hard to distinguish. The traffic stops and starts in spurts, but constant. Kids yell in a tunnel. I tell myself hush. Tell worries quell. Some bicycles creak, their spokes sputter. Some run clean and flow. Footsteps on brick, on concrete, on wood steps. My dad wasn't always a great listener but he was quiet most the time. He allowed space. Didn't interrupt. Didn't not talk over me. He waited, that patience that boiled my organs when I wanted something now. A whistler soothes me with her lips. A little finch pours in her child's lullaby. Photo by Joshua J. Cotten on Unsplash Photo by Frida Lannerström on Unsplash Alone time: scale rocks, run impossible sprints. Write with all my senses, limbs. With my own pace, clock, rhythm. Trust that. Spend weeks, months, years lying in wait, envisioning my next feast from my cave. Then it's time to act, to launch rocket in belly. The taste of my craving. Locking sight on her there. Embrace, attach, drag my target up cliff face to a spot safe from vultures, jackals. Engorge, rest. Resume slow. Dream my next fierce outcome. Stealth, quiet. In silence, listen to the orchestra around us in this mountain land. Tiptoe, keep clean, everything arranged as I like. Or I get ruffled. Always watching, preparing the next big leap. Waiting with whole-bodied attention. Inside I growl and bellow -- and sometimes outside. Mostly I seem calm. Hiding in splendor home, creating bizarre fantasies about all of you. Examining differences between the world and me, measuring the limits. Photo by Uriel Soberanes on Unsplash Another hearty poem inspired by Dorianne Laux's "Heart" in the spirit of this week. Photo by Nick Fewings on Unsplash Heart takes long trips across the frigid planes of winter An explorer of underwater planets A trickster bounding one way then doubling back Heart trickles out dewdrops from lilac blossoms An opening, a cave door I see you and melt with a plate of buttered potatoes Squishy heart of dancing Russian soldiers Tiptoeing their way home at 3am Departing the Ukrainian border Sneaking back to bed with their wives With their husbands With friends and strangers And all alone A dream looking out the window Sugar sticks across my lips and brows A blood orange dripping from my hands That tastes like dark chocolate But a little smokey with forest fire My heart on a plane to Belize Photo by camilo jimenez on Unsplash I was reawakened in Erik Ehn's 30 day virtual silent playwriting retreat last July. I'm craving that kind of submersion again, especially of the in-person variety. We did much much much that month, making/reading/writing intentionally TOO much, with big pockets of stillness, silence invited throughout. We created in all disciplines and I often felt back at my MFA Program at CIIS, the first academic environment where I felt at home. Here are a few remnants, scrappy poem cut-ups/blackouts that helped me move forward in my process toward a larger thing. Oh you green and luscious peat moss, fruit of my hips hair in mouth light in eyes sink my unaligned posture form pressing me down small breeze, nuthatch on elm I'll one day stop making up for lost time and the death of everyone I love I threw up twice from the heat and cookie dough ice cream squeezed my eyes tight into tomorrow into home A big emptying out rotting cold astroturf we slept in oceans of smoke my upper half went numb What is the color of sun?
A family escaping overloaded raft made of scrap wood, piles House on fire, they lost everything Drifting apart into Pacific A choke pulsed up My heart sparks me in their folds, their kingdom Clouds pressed on through the wind I hope inside you are bright Photo by Gary Bendig on Unsplash Once upon a time, I had a little rabbit. I found it on the side of the road one winter night on my walk. It didn’t move, munching on stiff grass, looking up at me as I approached. I knelt close to its face and whispered hi. Its eyes glowed red. Then flashed back again. I watched a while and continued on. Close to home I looked back. It was following me. I knew it was just a rabbit but I walked faster and even jogged my last blocks, ducking fast around two bends. At my front lawn I turned and saw it still following, eyes flashing red to black. I dashed in my front door and locked it, scolding myself for how silly I was to run from a rabbit. I decided to call her a she. I decided it was a gift to see her out in my lawn munching grass. I looked out my peephole and then out my window. I saw how cute her hazel ears laid against her back. Her eyes no longer red. I decided I made up my fears. I started to fall for her bushy tail, hunched walk, big back feet. She caught me staring. I waved. She returned to her dinner. She had been on a long winding journey. She lost three litters to poison. She smelled something trustworthy on me and decided to try trusting me for a while. I needed to trust someone too. I needed to feel trustworthy. I needed someone to believe in me. Every day had felt so alone that year. I decided she was a good omen, the start of a lucky break. In the previous year, I lost too many people. Sometimes tragedy comes in threes. For me that year it came in 30s. In 300s. I couldn’t remember what it was like to not feel completely alone in the world. Everyone leaves or dies. This rabbit, let her stay. Let me let her stay. In the gracious benevolence of the gods, I besought them with all wild display, hands to air to ceiling, mouth to lips and prayer of my heart, I needed their boon now, to look out for me and this creature. Amen. I decided to go out. Give her a proper greeting. Out the front door, she looked up at me. Her red and black eyes flashing again. She looked more like an it now, not a she. I kept my heart still. I had to trust it. I needed this. I breathed and knelt down, my fingers to the earth, a gesture of welcome, coaxing. She/it bounded slow toward me. Eyes transfixing me. I heard her/its thoughts. Becoming my thoughts. I heard instructions to pick her/it up, bring her/it inside. To care for her/it. To give her/it a home. To shelter her/it. To let her/it into my body. To let her/it into my brain. To let her/its spirit out of this rabbit and into my body. I saw myself feel her/its power, soon to be her/my power. I had no more willpower. I soon would have no more me. Her/its eyes and fur against my skin paralyzed me, broke me. I picked her/it up, I no longer I. On my bed we laid ourselves down, my no longer my. I let her/it hold me, climb me, peeking head inside my mouth. Between my teeth, through those red eyes, she/it breathed her/its/my spirit, consuming/becoming me, l eaving this rabbit shell, this body corpse on my/its/her/their bed. The shell soon to be eaten, discarded, as this human body would be, once we finished. Another being taken, our one-by-one assemblage for our mother planet, as we consume this earth with our brainwaves. Once upon a time, we had a little rabbit/little woman/little planet. Photo by Tolga Ahmetler on Unsplash i see you hiding stuck in your busyness anxiety zaps your lightning bolt brain release sparks or get comfortable clear the confused moments wavering that hula hoop spinning plates no competition break out smash boxes burst light pools poor or not you're fire magnifying polarities no barriers i am here the saga a high road conscious opening thirsty skin shatter empty smoke to collect the kindling again find breathing room little turtle wake from chaos dance in ocean currents glow star-fused spacious all is in your color stop trying so hard find breathing room, little turtle. Photo by Andri Munazir on Unsplash the grey a mist a cloud this city lives in fire season we got swallowed by a volcano through wide, tall panes fragments of cyan between white/rust/brown but a ghost blue less of itself summer days i squint my eyes peering at bright but an overcast lid traps muggy dry the sleepy light ducking back in bed sight a bronze tongue that makes me fold in on my ribs just so air punishes lungs days like this might as well stay inside watch the months go by Photo by Manny Becerra on Unsplash |
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$1, $10, $100, whatevs :) Heidi KraayProcess notes on a work in progress (me). This mostly contains raw rough content pulled out of practice notebooks. Occasional posts also invite you into the way I work, with intermittent notes on the hows and whys on the whats I make. Less often you may also find prompts and processes I've brought to workshops, as well as surveys that help me gather material for projects. Similar earlier posts from years ago can be found on: Archives
April 2024
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