Playwright, writer and theater maker Heidi Kraay examines the connection between brain and body, seeking empathy with fractured characters. Her work pulls myth, metaphor and monsters together to attempt connections across difference.
Her plays, including Unwind: Hindsight is 2020, see in the dark, How to Hide Your Monster, New Eden, Me and My Shadow, Kilgore, as well as co-devised plays, plays for young audiences, one-acts and short plays, have been presented in Boise, regionally, in NYC and internationally, most recently through Surel’s Place, Barnard College, Spark Creative Works, West of Lenin, Oregon Contemporary Theatre, Women’s Theatre Festival, Fargo Moorhead Community Theatre and Playwright's Round Table.
Co-devised work includes small matters and SuperSecretSiteSpecificSomething (S5) for Migration Theory (S5 also for BCT), and Home Grown Theatre’s DIRT.
Selected drama, poetry, fiction and creative nonfiction has been published through Smith & Kraus, Magical Women Magazine, Z Publishing, Willow Creek Journal, Timshel Magazine, Before/After Godwink Journal, ZO Magazine, Black Heart Magazine, Limn Literary & Arts Journal, Boise 150, Ascent Aspirations, GEM Magazine, Anastomoo, The Zodiac Review, The 5-2, Bewildering Stories and The Cabin's Writers in the Attic anthologies.
Heidi has been awarded grants from the COVID Cultural Commissioning Fund, The Cabin, Idaho Commission on the Arts, Alexa Rose Foundation, Boise City Department of Arts & History and Boise Weekly. She is a member Dramatists Guild of America, Inc.
Heidi holds a BA in Theatre Arts from Boise State University, with emphases in Dramatic Writing and Design, and an MFA in Creative Inquiry, Interdisciplinary Arts from California Institute of Integral Studies. Heidi is an adjunct professor through the Department of Theatre, Film and Creative Writing at Boise State University. Also a teaching artist through The Cabin, she is available to lead writing and theater-making workshops, as well as one-on-one mentorships.
From SuperSecretSiteSpecificSomething. Photo by Andy Lawless, 2015.
What I Do
As a playwright and theater maker, I love the space between words. I bridge gaps dividing genres, humans and my own disjointed fragments. Studying the distance between us, I seek true connection. I write to root into earth and find present weight in each moment. Aiming to the global impossible through the immediate, tangible here/now, my plays examine how we meet our nature in time/space. Using diverse media to develop dramatic blueprints, I play with text, image, video, music, movement and puppets. As several aesthetic languages inform my work, so do the brain, the body, relationships, landscapes and intricate complexities of human behavior. I physicalize my hardest moments and pour in stories collected through devised collaborations, interviews and observations, submerging our rawest parts together. Cathartic release brings breath.
My art looks at the worst of us to locate the best in us. I rip into past with controlled passion, for future’s sake, so I can hold out a hand and sit with you through your own struggle. It's hard being human. My plays are quests for empathy. On each page, I long for so much muchness swimming beneath every word like an ocean. I want to feel the volcano underneath while standing grounded on shore. Orchestral dynamism and rhythm builds to choreographed enormity that accelerates to a stop.
Through theater, I want to connect with strangers, loved ones, people I don’t like and people who turn away from me, leaning in and asking how we can live better.