the drive to your house
and your door creaks
i wait for you in the pregnant clouds
but no hurry
late night skin
far into dream places
i sense us together
rising in the not too cold
when I make our tea
leaves fell off maples
i jumped in the damp
and grew up into a small dog
we looked at the stars
who took me across country
me the always new girl
too many men bought me too many drinks
the haunting night called me into its bars
and my lungs filled with water, clutching iron
he took me away in a van
i discovered the weight of my cranium
and feared i'd go off a cliff
finding the moon, lassoing it,
i saw the you glow in its spotlight
and pined closer
i got off the love train for a while
and found my breath stuck in my sternum
i stayed too too long in the bathtub
i found hope in sweaters
we found places speaking to us
and spoke back singing
i took a lot of classes
i fell from security
the way i wrote got faster sharper
i found relief in mossy woods
i felt temperatures rise in my face
i looked up and saw you
thanks for being t/here
Once you woke up and saw you had everything you needed.
Surrounding was the idea of enough.
The truth is, everything is alright under this white blanket.
One day I woke up and had everything I needed. I drank a cup of English Breakfast, then two, used the same bag for extra steeping. I had a notebook to write in and coverings over my feet. A sweater kept me cozy.
I was becoming myself. I could look in the mirror and see me, unapologetically me, stripping away armor me, in daily stillness in the neighborhood of meditation, of nothing, active nothing, the art of nothing, the art of doing less me.
Looking into the mirror there, eyes open, I saw myself, I saw through the universe.
With all the stuff and nonsense I put on top in attempt to prove my worth, I am already worthy by reason of being born, being here. I am already enough without having to do anything.
To see that, to give myself that amount of love and care allows me to return that to others. Others like the one I’ve loved since we met. Look back and, how many years ago was that?
Enough. A worthy number.
As I find myself at a pausing point in the play I'm working on after this glorious summer of writing, developing, researching, exploring and rewriting rewriting rewriting, I think back to my last solo-written full-length play How to Hide Your Monster and what I was thinking about around this time in 2015. At the end of that summer, I similarly found myself unsure of my next steps, knowing I'd gotten as far as I could go before getting outside feedback.
I think about crystalizing my voice.
I think about cracking the earth, opening it with care.
I think about the job of an actor.
How much it teaches me as a writer
to watch what a person can do onstage,
fully present in each moment.
I fall down watching.
Writing used to be what I did to get the desperation out.
I had to put my story into words.
Now the next step: getting that story out to the world.
I've done it step by step,
getting the fiction out in pieces through plays, stories, essays and poems.
Now with this play I'm trying to get up the courage
to speak with more specificity and openness
about who I am and where I've been in person, onstage,
outside the veil of fiction.
Fiction can tell the truth in magical ways.
More powerful is its ability to get me to accept where I've been
and to name it out loud.
To learn from my mistakes and to see my failures.
Enduring humiliation and failure is important for everyone.
What we do with that is important.
If we didn't accept our failures and successes, we wouldn't learn.
Terrible mistakes get made and they should be acknowledged.
There is a big difference between "I failed" and "I am a failure."
Celebrate those failures.
Those are my teachers.
They are for me.
Successes are for the audience.
Deep ocean bottoms, the blues, the blacks, rising up.
Find your swallowing.
We are liquid. Wade in.
Water rises, taking over shores, bleeding inward.
This country rich. This me spoiled.
I can drink water. I can dump it out.
Water you tear at me.
Your salt, your kiss.
In this desert can't get enough fluid.
My organs cook inside.
Water is scarce. Is everywhere.
Wish for a bridge, for us all to have enough.
I watch my breath, my frame.
I think worldwide of
people hungry in the mud
faces in cages
families capsizing in escape.
When I was young,
hearing my first tragic events,
my response was massive guilt and shame.
I had it okay while lives cracked apart across the world,
in my neighborhood.
And then I hurt myself.
And got addicted to hurting myself.
Now, here, globally, in this country,
cruelty happens daily.
I am healthy. I have enough. More than enough.
I want to help.
Instead of saying,
they suffer so I must suffer,
I want to say
I am at peace, how can they be at peace?
Instead of my limbs paralyzed,
instead of acting against myself,
I can reach out and take care of me
and thereby reach out stronger.
I don't have a lot.
I have enough.
I can be here for you.
I can sit in the same room as you.
I can listen to your story.
Open up the world for you.
Help you tell your story.
Get people to listen. Or try.
Bring communities together. Try.
I sometimes feel so young.
I doubled my gray hair the last ten weeks.
Still breathe, still be.
Open. Continue to open.
I wrote myself out of abuse,
out of disorder,
out of homelessness,
out of numbness.
in every moment
because we say so.
We create meaning
That's where I find beauty, elegance.
Simplicity is my way to wholeness.
I am already whole.
I feel my back pulse.
neurons can rewire
brain chemistry can shift
said I was hardwired
to need antipsychotics forever,
that I would never be stable not really.
I learn daily my neurons' plasticity.
All thanks to repetition.
Yes I get tempted to work longer
to stay deeper in screens
but that doesn't help me.
I'm learning to stop sooner.
take time to breathe
a ringing bell
resist the urge to control
hear the music of stillness
I'm captured by cremated energy.
keep it small
your day will thank you
I know you're addicted
will thank you
Dark alleyway, piss smell.
Shadow places for hiding. For trapping.
A hole. No space to breathe.
I sneak on people and don't mean to.
Blamed for my quiet feet. "You scared me."
I don't blame them for not being present,
Not noticing their surroundings.
Something behind me.
I turn and there's nothing.
Except on my back, on my neck.
Like a grizzly bear's hot breath.
I taste metal. Nails.
I was going somewhere important
but now I forget who I am.
Now that someone's following,
I want to give up, turn around.
See who it--
inside the nothing, an orchestra
hear your heart beat, organs pump
insides tire for your rise and falling
do you ever thank them?
thank you, stomach
thank you, liver
not everyone has them
gratitude for intestines comes
when the beeps bops bleeps
that terrain of blank canvas
the ant there takes his friend back home
his friend now food
blind ants - what do they hear?
the sky that robin's egg blue
a small strip of fog
a porch sit
the scrambled noise gone
instead is this sweater
this antique wood rocker
my hands chilled
study the horizon
find palms to warm them
take in mountain faces
pine green cardigans
roll eyes back
I belong in the mountains
like I belong in the sea
like I belong in a city high rise
like I'm learning to belong
in my skin
sometimes you love a person
with energy that takes you through
the rest of forever
Process notes on a work in progress. This page serves to invite you into the way I work, with intermittent posts to show you the hows and whys on the whats I make, as well as prompts and ideas I bring to certain workshops. There will also be some raw, rough content found in notebooks written years ago, previously posted on: