Sometimes I wish Octopuses put ink in my cartridges Sometimes I think the sun will open and we'll return to spring And sometimes I feel my energy wad up into aluminum ball Until I take a nap or practice a jig or play with my cat I remember days I wasn't afraid to open the news When I could look out the window and think progress I can still look out the window I can still make progress I a giant hunk of wax rolling down the hillside Picking up buildings, journeying to oblivion I can surprise myself I can jump out my feet and far down the canyon into new parachute These days are mine Claim them. Reclaim my voice. A pile of young women enter the lobby with a clang The beginning of tomorrow I can write my future and remember when I discovered who I'll become
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I'm falling in love with my process again, the less I try to fill every minute. I time travel when I read the past. I see into my then skin, compare it with now. I learn about where my brain was and where it is. I've learned that the practice of writing takes time. A long time. That having patience and cultivating love for the act of writing is the thing that leads to authentic depth and realization of voice that can't be forced. I've learned there is deep value in waiting. There is no one way to tell a story, to structure a play. The act of writing daily helps me know how to move my hand through a story, an idea, a play or a thought much more than if I wait between projects. I've learned I have something to say. I am an adventure. I work hard. I can miss things, skip things and the world carries on. I can fail in big and small ways, that's how I learn. For me, writing is not about seeking expertise but discovery, opening, humanity. Vulnerability is the gateway to connection. Everyone has a creative voice to unlock. Listening is a difficult art that requires great patience and ability to resist interrupting, speaking, offering advice. I've learned that I love to use giant weather-based catastrophes in my work, often representing some big world or personal event. I've learned that the personal is political. That my tendency to assume factors about people and situations is a habit that I must continue to break. That as a white person I have extreme advantage that is unfair, but I can use that agency to open up space for the targeted. I've learned that we can make something beautiful together through art, and that I love collaborations even though they are difficult. I've learned that writing is hard and I will always do it. Heart is a blubbery mess of whole skin
An aching, frustrated chord on the ukulele And also piano, guitar, bass Or a long minor key on cello Heart wants connection Shakes for bravery Sound of a single coin rattling tin cup Heart sees every color under sky And over In the vast universe beyond We are small Heart contained in my fist And massive, oceans deep Vast, interstellar dreams run million miles Arrows point in every direction Hot chocolate kisses spill out wrappers Heart brushes eyelashes Sticky hands stuck faces Watching out windows, radiate sunshine Reflect back at me the rain off clouds the sugar glass panes Heart walks grounds where Dad lies Waiting His wife still here, beating A-Thump-A-Thump-A-Thump Heart's ears capturing news Remember feasting lunchtime sandwiches running acres wide Backside damp from marshland lawns Blue string knotted tight round finger Falling forward into forever yeses A ball of wax slipping through fingers Blots away cheek tears Heart is a feverish night A journey into great beyond Side-by-side by fire |
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$1, $10, $100, whatevs :) Heidi KraayProcess notes on a work in progress (me). This mostly contains raw rough content pulled out of practice notebooks. Occasional posts also invite you into the way I work, with intermittent notes on the hows and whys on the whats I make. Less often you may also find prompts and processes I've brought to workshops, as well as surveys that help me gather material for projects. Similar earlier posts from years ago can be found on: Archives
April 2024
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