![]() Photo by Mike Newbry on Unsplash earth's torso a hot beast in august
scorched and pregnant her feet want rest with ice packs underneath but she's up over there in her garden worrying over silver buffalo berry and curlicue sage her nursery hours never close mother of a million young-old-ancient darlings arctic whales who live beyond two hundred thousand year old trees flies who live an eye's blink all on her watch as nanny-mama-hospice worker as we throw grass at her and stamp our feet as we rip her apart she's planting new green her aching spine weathered hands scattering red hot pokers now and snow-in-summer her cloud dreams pour floods that drink are drunk and wipe us clean so she might find a nap but it's always sowing-washing-harvest season as time rolls into ink on my fingers betraying my eyes' dark spots from lost sleep spinning on to-dos so you too dear mother: be still among your hummingbirds and mint burnout's not worth your sweat someday all of us will fly to the middle of sun we'll raise tired arms and dive toward flame someday I'll just be a playwright someday a pile in the ground ashes blowing all around someday I'll grow up past my face and be a stronger version of me someday I'll carry a stack of books in prairie jeans and drop half of them and my little brothers will help me restack they'll do a messy job and I'll throw their bindings up in a roar and they'll build a castle of words in a world with giants and small folk some are magic and we all need a timeout
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In February, for the first Refilling Your Creative Well workshop at The Cabin, we created medals for ourselves, wrote the ceremony speeches and presented ourselves with our awards, as inspired by Andrew Simonet. Below is my medal and speech. This medal is for Heidi, for enduring the little things.
For sustaining at her everyday job when she wasn't always sure she wanted to be there on campus, rules changing moment to moment, frozen bike rides, students absent more often than present, in two worlds at once: Zoom and in person, coworkers going maskless, policing students on safety, getting Covid and working from home while sick, exhausted, depleted. For learning a new class, a new system, a new platform and modality every semester since spring 2020. For showing up. To the email inbox. Oh that dreadful box of doom. What will today bring? A mini-heart attack with every open. And the eye twitches! Good gawd. After six months of online classes, she didn't think either eye would stay still again. This medal is for Heidi getting students to laugh, cry, spend time with each other, offering every flexibility possible. And whenever she could, she gave herself time. To write. To be. And one Sunday every few months to do nothing at all but be human. She learned not to work or take meetings on Sundays. Learned from her panic attacks, from days she felt as much aversion going into the classroom as she did on her worst years in high school. She stopped checking email after 6pm. Started checking once a day, even -- at least the personal email. So this medal is for Heidi. For learning to love herself a little more. Learning that she needs travel, creative well being and a supportive community to sustain her. And declaring that she's gonna make smaller steps to get to those bigger goals, dammit, because each day each day each day a little something is possible a tiptoe ounce atom of forward movement can be made toward giant impossible dreams. So this medal is for Heidi. For going after joy. This is Walter. Hello Walter! My partner/husband/love and I found Walter the Walnut bear in our recent trip to Oakland. Walter wanted to join us on our return home through the Redwood Forest. Here (above) is Walter enjoying the Sue-Meg Park campground. Here (above) is Walter on the shorelines of Crescent City. And in the Redwoods National and State Parks. I/we look forward to future travels with Walter! Experiencing new/favorite destinations through his eyes helps me look more closely. Thanks, Walter!
Bye for now! Valdez, Alaska was beyond renewing, revitalizing, refreshing, refilling. The surroundings as much as (even more than?) the theater conference. A great happening, Last Frontier Theatre Conference, don't get me wrong. Plays and art day and night, giant peaks, glaciers, haunting blue tides... All of it inspiring, but those snow caps and ice creatures staggering. Every time I stepped outside, hard to breathe, all that beauty. The outdoor landscape, seascape lifted up all we did. Reminded us how much is bigger than ourselves. Homecoming felt good but then rough with the news. Rough -- too small a word. Devastating. Squashing. Broiling. It's all too overwhelming. Humanity. Abortion is healthcare. Contraception is healthcare. Healthcare is a human right. Womxn's rights are human rights. Gonna go away a little while again. Go be in bluer states, see ocean, redwoods. Be around beings older than humans. And try thinking, feeling more with my animal brain, my elemental heart. ![]() But thank you, Valdez, Prince William Sound. Thank you Suacit, these ancestral lands of the Chugach Alutiiq and Sugpiaq people. Thank you water and mountains and eagles and glaciers. Stay with me, in me, strengthen my heart, grounding my feet. Until next time.
The peaks jagged, barely visible behind mid-morning fog and clouds.
Ghost crests' pine green through grey drizzle. We taste the air, misting droplets sizzling around. Hard to know what direction they fall from, or jumping from below? The conifers house ravens who shout to each other across the street and amongst their branches. We striding holding pack straps in our hands, keeping as much weight off our backs as we can on our trek to see Mendenhall's river of ice before she disappears forever. Feet sore, dressed in layers, glasses, hats, fingerless gloves for me in hooded sweatshirt and windbreaker, a hat and sweatshirt for Thomas, yellow rainjacket stuffed in his pack, sweat on his brow. Or is it rain? Side by side down the road. We don't talk much to keep our breath, except noticing aloud what we see. My legs ache from so much walking. I know Thomas is in pain beside me. Highway pines and deciduous leaves reach up. Bald eagle soars overhead, who Thomas points out as the raptor shines in front of emerald giants. Our skin chills and perspires in humid damp. Mountains, mountains, everywhere, but also wet throughout the greenhouse of Juneau's west side. Our focus on the triangular summits ahead, between which we glimpse a wedge of white and blue -- a segment of glacier miles ahead. My hood up over hat, glasses rain speckled. We tread forward on the roadside. I found the reminders below from summer 2016, written before the world changed and changed and changed again. Are these still my commitments as a writer? What is different, new? What can I lean into more? What can I reexamine? (This is self-inquiry -- you can answer in the comments but the questions are really for me.) What are your commitments? (This you can definitely answer.) In my writing,
I'm committed to aiming for big global topics and intimate, human connection. To cultivating empathy and discovering how to open up my own vulnerable truth in order to allow that from others. My audience, my collaborators. I'm committed to creating in a way that speaks to the silent and opens up a platform to allow the disenfranchised to speak. That offers opportunity for the empowered to listen. I'm committed to using my points of privilege and my experience as ways to advocate for others, for the outsiders, minorities, for targeted groups. I'm committed to listening more/deeper to the stories I intend to represent or leave space for others to represent. I'm committed to reaching higher every time, paying specific attention to the needs of each project. In my process, I'm committed to write every day, whatever that means. I'm committed to spending good time on one thing at a time, one pursuit, one project. When my focus isn't split, I feel better, the work goes better. I'm committed to taking my time. I'm committed to making the change I want to see in the world through what I write and how. I'm committed to self care, to kindness. To moving/loving my body. To taking walks and baths. And naps. To waiting. Not-doing. Un-doing. Wandering. Meditation. I'm committed to being a playwright first but continuing my exploration of poetry, fiction, nonfiction, memoir, screenwriting, writing for radio, even television. I'm committed to free falling. I am a person who can go deeply into a thing. I don't scan the surface, though I have a broad range of interests and abilities. I know where I want to focus, where I intend my attention with intention. I'm committed to being committed to my art. To going big. Turning pro. To learning and teaching and doing. To speaking truth and each time trying to get truer, more specific, more scary. I'm committed to learning how to say the hard thing well, to working with difficult material and making each story more global, more intimate. I'm committed to getting really exact and personal in my work so that I can speak what happened to me and what I deal with in my brain, so I can reckon with it by sharing, and so that others may be more willing to open, share and be human together. I've written and made art for survival. And look here now I've survived I'm surviving. How do I take that privilege and turn it into change? What do I do in my art to respond, to quake, to bellow? How do I stay strong, vigilant, healthy, mentally and physically-- and be a lookout, a safe keeper, be kind with big heart and help care for the oppressed and the silenced? Update 11/22/23: This is now a book. Pre-order today. More news soon :) Been in the midst of a big rabbit hole project this year I never anticipated with this cycle of centuries. What is a century? Most basically, a list. This collection of lists is becoming a novella of a book, a shadow box, a podcast. Learn more about the process through the MFA at CIIS Artifact Podcast where this month they devoted an episode to my process completing this series and trying to represent that visually with a shadow box. This weekend on Sunday (May 1) at MING Studios in Boise, I'll be reading from this series for the first time. If you're in Boise and want to hear, I will begin at 7pm through MING Studio's 7o'clock series. Sometimes they lock the doors right at 7, so get there on time :) It's $7 if you're not a member (and if you're an artist, you can be a member for $13 a year!). A lot of the stuff will be raw and vulnerable, freshly typed, so friendly faces please, for this work-in-progress reading. Thank you! Maybe I'll see you there. If not, you can check out some of my process below and the podcast to learn more. The rushing Payette, gentle roar by the shore.
We sat on wide boulder, low sandstone flat at our feet displaying our black Rubbermaid plates, containers, bins of food, brought out one at a time. Mountain pines stretched all around. The day in high 60s but a breeze asked me to pull up my sweatshirt hood. Pale sky, trace clouds. Greens, strawberries, crackers with chevre, a yellow cheese that bit back and tinned oysters. Blackberry bubbling drinks rested on river rocks unopened. We watched the ants watching us, pools of sugar sand circling round stones, the sap and water scents infusing life in our bones. Kayakers waved paddles by. On mountaintop, grass dried underfoot. I reached the height of one landing and knew the climb continued far above. I craved a hike deep into wilderness, to walk on and on to forever. Our red Prius pulled into a temporary spot. Tiny saplings emerged on the ridges, bright needly tips shot up just in time to greet us. On one side, thick brambles of conifers, aspens, huckleberry shoots, reeds. A rocky soft hill descended steep down the other. And up above this plateau with fresh open land for wandering, ATV treads dug in from beyond leading up to fire pits, fresh burnt logs, still smoldering. Across the road, another peak raised giant. Cars motored past in quick succession, short bursts of quiet between. Anytime we leave the house it doesn't seem like anyone else is isolating. Traffic doesn't die. Lycaenidae and Pieridae flutter by too, black with orange wing tips, white with blue specks, damselflies with translucent pixie wings. I step up on a log, a stump, aged, cracked, to see what's below the surface wood, leveraging out the spaces under crevices, wanting to hole up inside. Of course the leaves. The wind moving leaves. The burble in my stomach. Breeze. Breath. Smiles. Footsteps. A soft creak. A chair adjusts. Sink into this spring evening, waving like a syncopated drum. Songs of silence and motorways. A little finch pours in her child's lullaby. Feel whispers of hope in high waters. A river gushes, rushing fast bubbles that wash willow tree trunks. We're all spiraling together. The flagpole squeaks. Motorcycle revs. And yes the air currents through lavender bushes, through maple, oak, aspen. Everywhere singing birds in their own notes and keys. Some steady, slow, some quick, high pitched. Everything green. Everything vibrating. Everything the river. Years ago, the river at its high point closed the greenbelt, so I took a different route home from teaching on my birthday, on my bicycle, and Dr. Alluri ran into me in his night blue sedan. I wear a helmet now when I ride. I look all ways with more caution, more of my dad's fighter pilot sense behind eyes. A wavering melody creeps in: violins, ragtime accordions, silent film pianos unseen, as though some invisible composer designed a cinematic soundscape for this moment. Across the way, thundering booms hard to distinguish. The traffic stops and starts in spurts, but constant. Kids yell in a tunnel. I tell myself hush. Tell worries quell. Some bicycles creak, their spokes sputter. Some run clean and flow. Footsteps on brick, on concrete, on wood steps. My dad wasn't always a great listener but he was quiet most the time. He allowed space. Didn't interrupt. Didn't not talk over me. He waited, that patience that boiled my organs when I wanted something now. A whistler soothes me with her lips. ![]() A little finch pours in her child's lullaby. Photo by Joshua J. Cotten on Unsplash ![]() Photo by Frida Lannerström on Unsplash Alone time: scale rocks, run impossible sprints. Write with all my senses, limbs. With my own pace, clock, rhythm. Trust that. Spend weeks, months, years lying in wait, envisioning my next feast from my cave. Then it's time to act, to launch rocket in belly. The taste of my craving. Locking sight on her there. Embrace, attach, drag my target up cliff face to a spot safe from vultures, jackals. Engorge, rest. Resume slow. Dream my next fierce outcome. Stealth, quiet. In silence, listen to the orchestra around us in this mountain land. Tiptoe, keep clean, everything arranged as I like. Or I get ruffled. Always watching, preparing the next big leap. Waiting with whole-bodied attention. Inside I growl and bellow -- and sometimes outside. Mostly I seem calm. Hiding in splendor home, creating bizarre fantasies about all of you. Examining differences between the world and me, measuring the limits. ![]() Photo by Uriel Soberanes on Unsplash |
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$1, $10, $100, whatevs :) Heidi KraayProcess notes on a work in progress (me). This mostly contains raw rough content pulled out of practice notebooks. Occasional posts also invite you into the way I work, with intermittent notes on the hows and whys on the whats I make. Less often you may also find prompts and processes I've brought to workshops, as well as surveys that help me gather material for projects. Similar earlier posts from years ago can be found on: Archives
October 2023
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